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An elderly woman in a white dress and pearls gestures dramatically towards a younger woman in a black dress, who looks over her shoulder. Dark splatters surround them, creating a surreal and tense atmosphere.

Courts & Queens Costume Appeal

Help dress the drama for Mary, Queen of Scots

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Ruff-ling feathers…

This summer, Mary, Queen of Scots will premiere at Edinburgh International Festival and then tour across Scotland. In this retelling, you will see Mary through the eyes of her rival and cousin, Queen Elizabeth I of England in the last hours of her life. Mary’s confidence, glamour and power ruffles Elizabeth’s feathers. 

Scottish Ballet’s Resident Choreographer (and former dancer) Sophie Laplane’s distinctive take on this controversial story between two women who never met, is that of a dark, absurd and brutal world. 

Expect ruffs, corsets and wigs but stilts, falconry caps and pot bellies too. Soutra Gilmour’s dramatic sets and costume designs are vital to creating the story’s world. 

I will help dress the drama

Drawing of woman with black dress and outline of ballet shoe

Sketch of Mary costume by Designer Soutra Gilmour

Sketches of three women in different outfits. The left figure wears a ruffled collar and cape, the center has a corset and long skirt, and the right is in a strapless top and short skirt. Outlines are in black with minimal red and pink details.

Sketches of Elizabeth costumes by Designer Soutra Gilmour

Mary 

The French Court sees Mary surrounded  by sophisticated couture, featuring black and white corsets in fabrics like silk and lace inspired by Chanel and Dior. In the Scottish courts men and women dress in heather-coloured sleeveless dresses with kilt backs. Swishing when dancers turn, a ceilidh is afoot. 

Elizabeth 

We witness an all-male English Court with strong references to the punk era, crest haircuts, ruffs around wrists and ankles and plotting spymasters. Hours from death, Elizabeth is clad in armor plating, inch-thick make-up wearing a signature red wig. She reflects on her life, her regrets and of course… Mary. 

Sketch of a person wearing an outfit with a triangular design on the chest, featuring letters and numbers. The figure has short hair, knee-length shorts, and shin guards. The background is textured and light grey.

Sketch of Darnley costume by Designer Soutra Gilmour

Sketch of a figure in a sleeveless dress with a gradient from light to dark purple. The dress has a front row of buttons and ends above the knees. The figure is against a textured grey background.

Sketch of Scottish Court costume by Designer Soutra Gilmour

Sketch of Spies costume by Designer Soutra Gilmour

The drama unfolding

Mary Mullen, Head of Wardrobe at Scottish Ballet, is working closely with Soutra to source fabrics for up to 108 costumes for the 17 characters. These include velvets, quilted fabrics in silk and cotton, fine wools, linen and metallic fabrics. The story is now taking shape in the sewing rooms of 14 carefully selected specialist makers for dance, including two hat makers and a wig expert. While cutting, stitching, and hemming, Mary and Elizabeth’s story is starting to unravel and unfold.

The costumes for this intriguing new work are loaded with symbolism and are designed to comment. From falconry spies to caged skirts. Your donation to the Courts and Queens Costume Appeal will help continue the story while dressing two queens, three courts and everyone in between. 

Will you help bring this undeniably Scottish ballet to the stage?

All those who donate £100 or more will be accredited here on our website and in a souvenir programme, unless you would prefer to remain anonymous.

I’d like to help

We welcome cheques too! Please make them payable to Scottish Ballet and send to:

FREEPOST RTCE-KABC-XHJJ, Advancement Department, Hilda de Groot – Philanthropy & Gifts in Wills Officer, Scottish Ballet, 25 Albert Drive, Glasgow, G41 2PE

If you live in the US and would like to make a tax-deductible donation, you can do so here.

Message from Scottish Ballet Artist Antonia Cramb

Acknowledgements

We would like to thank those below for their generous donation to the appeal:

Steven Davis
Elaine Falconer
Dean Fostekew & William Mounsey
Dr Ken Hare
Rosemary Rankin
Polly Thomson